MG: My literary agent fields requests from publishers who have stories they would like me to illustrate. We decide if I’m a good fit. Then it’s up to me to come up with the visual narrative. I go through a long sketching process, working with the editor, art director, and with feedback from the author. Then I’m given the green light to paint, which usually takes three to four months. Watercolor is my primary medium. I love how it captures southeast Alaska, which is a rainforest. Using a water-based medium is really appropriate for the ocean, the mist, the trees, and everything here. Then I scan the illustrations into Photoshop and finish things up digitally.