In 1930, American Gothic appeared in the Art Institute of Chicago’s annual exhibition of American painting and sculpture. Wood won a bronze medal and $300 for the work, which was an impressive amount of money at the time. Two days before the show opened, The Chicago Evening Post printed the painting on the cover of its arts section. Soon other publications around the country began printing images of it. Seemingly overnight, Wood entered the national spotlight. Today even those who know nothing about American art or the artist have almost certainly seen this painting—or a parody of it. And “they understand it to be indisputably American,” says Barbara Haskell, a curator at the Whitney Museum of American Art.
When Wood painted American Gothic, many Americans were suffering and impoverished from the Great Depression, caused by the stock market crash of 1929. The painting represents a way of life—rural farming—that was disappearing as people moved to big cities. Many scholars interpret American Gothic as a commentary on the American Dream.