Parker wanted to explore the relationship between the urban landscape surrounding the museum and the country home in Hopper’s painting. "I was very daunted, because the skyline is so amazing," she explains. "I wanted to put something architectural on the roof—a kind of incongruous, domestic house."
At nearly 30 feet tall, the house gives the impression that you could walk up the steps and open the front door of Parker’s sculpture. But like a house on a movie set, Parker built only two façades. Visitors who walk around the back of the work can see the scaffolding that supports the false walls.